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Bibliografía

BARTLETT, Bruce and BARTLETT, Jenny (2007). Recording music on location. Amsterdam: Elsevier Focal Press.

BURGESS, Richard James (2013). The Art of Music Production, 4th edn. New York: Oxford University Press.

—(2014). The History of Music Production. New York: Oxford University Press.

CHANAN, Michael (1995). Repeated Takes: A Short History of Recording and Its Effects on Music. New York: Verso Books.

CUNNINGHAM, Mark (1999). Good Vibrations: A History of Record Production. London: Sanctuary Publishing Ltd.

DOYLE, Peter (2005). Echo & Reverb. Fabricating Space in Popular Music Recording 1900-1960. Middletown: Wesleyan University Press.

EISENBERG, Evan (1987). The Recording Angel: Music, Records and Culture From Aristotle to Zappa. Columbus: McGraw Hill.

ESCRIVÁN, Julio d’ (2012): Music Technology. Cambrigge University Press.

FRITH, Simon; ZAGORSKI-THOMAS, Simon (eds.) (2012). The Art of Record Production : An Introductory Reader for a New Academic Field. Farnham: Ashgate.

GIBSON, Bill (2002). Sound advice on mixing. Vallejo, CA: ProAudio Press.

GIBSON, David (2005). The art of mixing. Boston, MA: Thomson Course Technology.

GRONOW, Pekka; SAUNIO, Ilpo (1998). An International History of the Recording Industry. London: Cassell.

HEPWORTH-SAWYER, Russ y GOLDING, Craig (2010). What is music production. Oxford: Focal.

IZHAKI, Roey (2008). Mixing Audio: Concepts, Practices and Tools. Oxford: Focal Press.

KATZ, Mark (2010). Capturing Sound: How Technology Has Changed Music. Berkeley: University of California Press; 2ª ed. revisada.

MASSEY, Howard (2000). Behind the Glass – Top Record Producers Tell How They Craft the Hits. San Francisco: Backbeat Books.

MOORE, Allan F. (2012). Song Means: Analysing and Interpreting Recorded Popular Music. Hampshire: Ashgate.

MOOREFIELD, Virgil (2005). The Producer as Composer: Shaping the Sounds of Popular Music: From the Illusion of Reality to the Reality of Illusion. Cambridge, MA: MIT Press.

MOYLAN, William (1992). The art of recording production: The creative resources of Music Production and audio, New Yorks: Van Nostrand Reinhold.

—(2002). Understanding and crafting the mix. Amsterdam: Elsevier/Focal Press.

OWSINSKI, Bobby (2006). The mixing engineer's handbook. Boston: Thomson Course Technology.

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THÉBERGE, Paul (1997). Any Sound You Can Imagine: Making Music/Consuming Technology. Middletown: Wesleyan University Press.

ZAGORSKI-THOMAS, Simon (2014). The Musicology of Record Production. Cambridge University Press.