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The deconstruction of history, music and the autonomy of art in the post-modern aesthetic
Ainhoa Kaiero Claver
The Film Score and the African Musical Experience: Some comments on a work in progress
Andrew L. Kaye
The Meguru Panggul Methodology Online: Characteristics of the e-Learning Videos of Balinese Gamelan Music
Nico Mangifesta (Department of Musicology and Cultural Heritage in Cremona, Univ. of Pavia)
The Melodic form of Polish Ballads
Zbigniew Jerzy Przerembski
The origin of music as seen from evolutionary science and from Alejo Carpentier’s Los pasos perdidos
Norbert Francis
The Oxford Handbook of Sound Studies
Marta García Quiñones
The Politics of Labelling Popular Musics in English Caribbean
Jocelyne Guilbault
The Qantu and Music Therapy in the Kallawaya Heritage Context
Sebastian Hachmeyer (Royal Holloway University of London)
The Seminal Eighties: A North American Perspective of the Beginnings of Musicology and Ethnomusicology
Bruno Nettl
The Singer-Songwriter in Europe, editado por Isabelle Marc y Stuart Green
Reseñado por Héctor Fouce (Universidad Complutense de Madrid)
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