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The “Ghost Melody” as Acousmatic Voice. Music and Effect from Melodrama to Cinema
Emilio Sala (Università degli studi di Milano)
Emilio Sala (Università degli studi di Milano)
The Arab Avant-Garde. Music, Politics, Modernity, editado por Thomas Burkhalter, Kay Dickinson y Benjamin J. Harbert
Reseñado por Rubén Gómenz Muns (Universitat Rovira i Virgili)
Reseñado por Rubén Gómenz Muns (Universitat Rovira i Virgili)
The Communal Ethos in African performance: Ritual, Narrative and Music among the Northern Ewe
Kofi Agawu
Kofi Agawu
The deconstruction of history, music and the autonomy of art in the post-modern aesthetic
Ainhoa Kaiero Claver
Ainhoa Kaiero Claver
The Film Score and the African Musical Experience: Some comments on a work in progress
Andrew L. Kaye
Andrew L. Kaye
The Meguru Panggul Methodology Online: Characteristics of the e-Learning Videos of Balinese Gamelan Music
Nico Mangifesta (Department of Musicology and Cultural Heritage in Cremona, Univ. of Pavia)
Nico Mangifesta (Department of Musicology and Cultural Heritage in Cremona, Univ. of Pavia)
The origin of music as seen from evolutionary science and from Alejo Carpentier’s Los pasos perdidos
Norbert Francis
Norbert Francis
